Saturday, November 29, 2008
11/28/08 Late-Night Journal Entry
Thursday, November 27, 2008
Brother came for Thanksgiving.
I sent my sweeties some flowers
to say thank you for taking such good care of me. I wanted to see if I could brighten their day like they brighten my day, every day.
Jesse prepared a wonderful Thanksgiving feast for everyone.
The only picture I got of Donna was with her eyes closed and her mouth open. Well, that was predictable.
And was promptly lectured about it.
Then I headed off to Maryann and Floyd's house.
There were so many people that it took TWO tables to seat them all. Apparently, the "old" were separated from the "young." Well, at least I was placed at the youngsters' table (whew).
Duncan, Alex, Linda.
Craig only went because he is in love with Maryann.
Happy Thanksgiving everyone!
My mom insists on coming to help me after surgery.

Monday, November 24, 2008
Sunday, November 23, 2008
"I hope the exit is joyful, and hope never to return." Frida Kahlo

Thursday, November 20, 2008
Spinal tap/myelogram was easy...
Tuesday, November 18, 2008
Monday, November 17, 2008
Sun Turtle Inn
This little guy has GROWN - now at 80 pounds- I just wonder if he knows how big his shell is REALLY going to get - OMG.
Next stop, hospital room. And after that, if I can somehow manage to live in Palm Springs at least part-time, I am so THERE.
Friday, November 14, 2008
Wednesday, November 12, 2008
The approaching 6th Day of the Galactic Cycle of the Mayan Calendar

Tuesday, November 11, 2008
OMG Another great poem from my tribe.net friend...
A treasure to be cherished,
A gift from God above;
Is the beauty of a friendship,
Touched by unconditional love.
A love that asks no questions,
Believes in all the best;
Never doubting, ever trusting,
Withstanding any test.
A love that weathers any storm,
And yet that love still stands;
Through the very darkest hour,
It still reaches out a hand.
There in that hand the sweetest gift,
That you can give a friend;
A heart that cares, a love that shares,
That will be there till the end.
A treasure to be cherished,
A gift from God above;
Is what I share with you my friend,
An unconditional love."
IT'S TRUE - I HAVE BEEN FORTUNATE ENOUGH TO EXPERIENCE THIS MYSELF, AND WISH IT FOR ALL OF YOU.
Monday, November 10, 2008
Another awesome poem from a tribe.net friend...
"The Risks of Loving ..........
There is a risk involved in everything.
Every time you share a smile,
Every time you shed a tear,
You are opening yourself up to hurt.
Some people tread slowly through life,
Avoiding the closeness risk brings,
Sidestepping the things they can't understand,
Turning away from those who care too much,
Those who care too long,
Those who hold too tightly.
There is never an easy way to love.
You cannot approach it cautiously.
It will not wait for you to arm yourself.
It does not care if you turn away.
It is everywhere, it is everything.
Love is the greatest of all risks.
It is not reliable, it is not cautious,
It is not sympathetic.
It is unprejudiced and unmerciful.
It strikes the strongest of mind,
And brings them to their knees in one blow.
Even in the best of times, love hurts.
It hurts to need, it hurts to belong,
It hurts to be the other part of someone else,
Without either of your consent,
But, from the moment it overtakes you,
It hurts worse to be alone."
Kaskade and Deadmau5 - "Move for Me"
Another night out, another dance floor...
Another night out, another dance floor...
Another night out, another dance floor...
Another night out, another dance floor...
Here we go - another night out.
Waited all week just to get out.
Where we do we come from?
Do I know your name?
Does it really matter -
In this life we're all the same...
Move for me, I'll move for you
Move for me, I'll move for you
Move for me, I'll move for you
Move for me, I'll move for you
A DJ - a light show
Speakers puttin' out, As we go
This way and that way...
Getting past your name...
Doesn't really matter.
In this life we're all the same...
Move for me, I'll move for you
Move for me, I'll move for you
Move for me, I'll move for you
Move for me, I'll move for you
Another night out, Another dance floor...
Another night out, Another dance floor...
Move for me, I'll move for you
Move for me, I'll move for you
Move for me, I'll move for you
Move for me, I'll move for you
Friday, November 7, 2008
Suzanne Opton's Art Project: Soldier
http://www.soldiersface.com/
Opton's website can be found here -- www.suzanneopton.com
Email interview between Suzanne Opton and Stuart Horodner, 8/22/2008:
Q: How did you conceive the SOLDIER project and gain access to the military personnel returning from Iraq and Afghanistan?
A: I'm interested in portraiture and I was curious to see who these people are who volunteer for the military. Watching them on TV at the beginning of the war, I couldn't really see them. They were always hidden behind so much gear and they were speaking in their role as representatives of the military. My son would be eligible for the draft if there were a draft, and thinking about what it would have been like for him to be in the military, I wanted to see these soldiers as I would see my own son.I called military bases all over the country trying to gain access. I plied them with my credentials as an editorial photographer, but I was turned away. When I called the public affairs office at Fort Drum, the officer asked if it was a political project. I said, "No. It's art. Portraits of soldiers. Just art." They asked when I wanted to come and how many people I wanted to photograph. I was lucky.
Q: What were your goals or expectations for the project?
A: I wanted to make a vulnerable portrait of a soldier. I wanted to stand our idea of soldiering on it's head, because when I think of soldiers I think of how young and vulnerable they all are. I wanted to make portraits that show soldiers as brothers, fathers, sons or lovers.Being a photographer is a license to go where you don't belong. I wanted to know who these soldiers were and I wanted to find out what of their war experience we could see on their faces.
Q: How did you decide on the pose for the soldiers - head down and looking sideways?
A: I had been interested in playing with the idea of a subject laying his or her head down, but it never quite worked out. When I was invited to the army base, I thought this was the perfect situation for this pose.I work slowly with a large format camera. I'm interested in a collaborative sort of portraiture. Even though the photographer has the final power, if you give the subject time, he composes himself for the camera. Richard Avedon once said that people often confess to photographers. It's an unearned and fleeting intimacy, but it can be nurtured. By giving someone a provocative and appropriate pose, and then leaving them alone, their minds may wander and they may bring a revealing aspect to their portrait.
Q: Have the soldiers seen the photos and what do they think of them? Are they aware of the billboard project?
A: I sent one of the black and white standing photographs to each of the 90 soldiers who participated in the project. The first show was in Syracuse NY not far from Fort Drum. We sent out catalogs and invited all 90 soldiers to the opening. I was in touch with some people who said they were excited to come - they'd never been to an art opening. Critic Vicki Goldberg gave the lecture and I thought it would be an evening of art meets the military... But then some soldiers were shipped out shortly before and in the end none of them attended. They were aware of the billboards, but I never heard directly from any soldiers about them. One soldier's mother wrote to me and wanted a print of the image on the billboard. She said that his time in Iraq and Afghanistan was hard on him and his family and "this photograph portrays his trials."
Q: What have you learned about these soldiers through the process?
A: It was very interesting to be on the army base. I had no first hand knowledge about soldiers. We were all struck by the camaraderie, the love between the soldiers we met. One of my assistants was a 21-year old photo student, who said, "My mother would kill me but I'm almost jealous of these guys." They had some powerful things his life lacked - comrades who would risk their lives for each other, a sense of making a difference in the world and a clear mission. Whatever else, we had great respect for that.I didn't understand, however, what the soldiers thought of the photographs. Later I met a Vietnam vet who told me that while in active duty, these portraits are not images that soldiers could comment on. He told me that they would have to wait ten years until they had grieved over the piece of their life they lost, and then maybe the photographs would have meaning to them.
Q: What has been the most surprising or satisfying response to the project?I have been surprised and gratified by the huge response the project has garnered. And when I saw the very large prints I realized that they were like the heads of fallen statues and yet they maintained their intimate quality. I've never liked sentimental imagery, but I think these portraits are both intimate and tough. I have been surprised by people thinking the images are so disturbing and some people thinking the soldiers were actually dead.
Thursday, November 6, 2008
Written to a friend...
My journey (in this fractal that is my life, which includes the characteristic of being gay), began during my earliest memories when I recognized the logical error posed by the teachings of the church that I attended during childhood, which were that my experience of being homosexual (one of my earliest memories) did not "jive" with what I was hearing from the church and the society at large. My quest began at that young age to somehow communicate to people that "it is not really that way AT ALL," and I am thankful that there are MANY people on the planet at this time who "get it." Now, I would never ever belittle or be condescending to anyone's religion, but rather challenge people to question, and to do the research for themselves, instead of simply accepting someone's "interpretation" of, and therefore teachings about, reality. I recognize that we must all allow each other to exist in the space and at whatever level that each of us in currently in, much like we were talking about a parent being unable to override a child's free will. This is taught to us on the macrocosmic scale in that our relationship with God is the same - unconditional. That is where the A.D.- era teachings about homosexuality falls apart.
This subject is such a small part of the nature of the duality in which we are immersed, wherein each of our fractal existences (each a part of the Whole of consciouness), have been designed to make us think that we are unique individuals. All of my decades of research has led me to the same conclusion that Nassim has reached - that is, that we are all directly connected to Source, or to God, or to the One, which intrinsically means that we are all connected to each other and to all beings.
This is the basis for my eventual rejection of the Judeo-Christian model in which I was raised. I do *not* however, mean to imply that it has no value. All recorded religions have value, even though most of us would agree that most every religion that we see contain individual teachings that are not in harmony with the greater religious concepts of the religion from where the teachings arise (let's choose the Muslim infidel as an example, the caricature that is a stark contrast to the idea that Islam professes to be a holy belief system). I believe that the reasons that these inconsistencies are present is due to human interpretation that is flawed, rather than finding that the religion in which the inconsistency exists is invalid, or is of no value. They all have value. But none of them individually reconciled my experience as a human, who is just as directly connected to Source as is any other human, with the teachings of my church that this was not the case.
Thank you for giving me the attention and the time to read this, and my greatest hope is that it is received as intended, which is as an invitation to explore those things that you told me you found "disappointing." If you are not simply ecstatic and electrified to be alive, I invite you to find your inner spark. Every atom in our bodies is produced by protons and neutrons spinning around each other AT THE SPEED OF LIGHT. The Light is INSIDE us.
With much love,
your humble servant
dave
Nassim Haramein, esteemed physicist
I got to meet this man at a lecture tonight given to about 40 of us for FREE. An absolute highlight of my life. His theory of the Unified Field and the EXACT mathematics that describe a fractal, geometrical world of physics, and that reconcile Relative and Quantum physics, ALSO mirror the teachings of the fractal nature of our consciousness. All this is based on a scalar model of the electromagnetic and gravitational interaction with the everpresent vacuum. Free energy is right around the corner, people, and Ascension will follow that SOON. HOLD ON TO YOUR HATS!!!!!!!
What a miraculous time to be alive!
LOVE TO ALL, JUDGMENT FOR NONE, FOR WE ARE ONE
(P.S. The youtube posts seem to be taken down when you search for them on that website, but if you use the scrolling feature at the bottom of this embedded video, you can view a 4-part interview with Nassim that is a MUST-SEE for any Truth Seeker).
Tuesday, November 4, 2008
Monday, November 3, 2008
Madelyn Payne Dunham, 1922 - 2008

Sunday, November 2, 2008
Boy I love Sirius Satellite Radio - the music is so spiritual on Area 38!!!!!
The Art of Trance - "Breathe" - by Caroline Lavelle
And here she is performing on TED Talks, where the most brilliant minds on the planet are hanging out. (Notice Thomas Dolby is her keyboard player).